| "The Bringers of Wonder, Part One" | |||
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| Space: 1999 episode | |||
| Episode no. | Season 2 Episode 17 |
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| Directed by | Tom Clegg | ||
| Written by | Terence Feely | ||
| Original air date | 4 August 1977[1] | ||
| Episode chronology | |||
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| List of Space: 1999 episodes | |||
"The Bringers of Wonder, Part One" is the seventeenth episode of the second series of Space: 1999 (and the forty-first overall episode of the programme). The screenplay was written by Terence Feely; the director was Tom Clegg. The final shooting script is dated 23 June 1976. Live-action filming took place Wednesday 25 August 1976 through Tuesday 28 September 1976 (with a two-day interruption on 21 and 22 September to film additional material for 'The Beta Cloud').[2] A day of second-unit filming was completed on Tuesday 30 November 1976[3] This was the series' only two-part episode.
Contents |
It is 1912 days after leaving Earth orbit, and the routine in Command Centre is suddenly interrupted by a series of whoops and exclamations from the speakers. John Koenig had been out on a reconnaissance flight to investigate a localised increase in the neutron count. Now, he is behaving like a drunken adolescent out for a joyride, taking Eagle Ten through a series of dare-devil manoeuvres. Loops and barrel-rolls soon give way to death-defying dives on the Alpha complex.
Bored with this game, the manic Koenig takes off across the lunar surface to begin buzzing the three nuclear-waste domes (Moonbase's atomic-waste repository). Alan Carter tries to establish a remote link with the ship and discovers its controls are set on manual. Tony Verdeschi is worried an impact could cause a nuclear explosion, but Maya informs him that only the introduction of atomic fuel could instigate such an act. Nevertheless, a crash is inevitable and he orders Carter to take nuclear physicists Jack Bartlett and Joe Ehrlich with him on the rescue Eagle.
Koenig pilots the ship in a crash-dive down into the nearest dome. As alarms sound, he comes out of his euphoric state, but not in time to avoid a collision. Trying to level out, he clips a dome with a fuel pod and the Eagle ploughs out of control across the Moon's surface. Koenig manages to put on his space helmet and seal his suit before losing consciousness. Fuel from the ruptured tank ignites and an inferno rages inside the ship.
Carter lands at the crash site and rescue workers board the burning Eagle. As the physicists confirm there is no radiation leak from the damaged dome, Koenig is rushed back to Alpha and conveyed to Medical straight away. He has severe concussion; Doctor Helena Russell feels his condition is serious enough to warrant using the Ellendorf quadrographic brain complex, an instrument which takes brain impulses, modifies them electronically and feeds them back into the brain—in essence, a cerebral 'massage'. The device is experimental, but in her professional judgment it is Koenig's only chance of not slipping into deep coma. If all goes well, he should be conscious by treatment's end.
Long-range sensors pick up an approaching space vessel. Verdeschi wants to confer with Koenig, but is told the treatment will not be complete for another fifteen minutes. Being over 90 million miles distant, Maya states that, even moving at the speed of light, the ship could not arrive before then. However, instruments show it is exceeding the speed of light and is upon them in minutes. Verdeschi calls for a visual; the ship is an impressive—and familiar—design. It is a Superswift, an Earth ship designed for interstellar travel. The project was shelved by the World Space Commission as no one could devise a practical faster-than-light propulsion system—at least as of September 1999. Tracked by Alpha's laser batteries, the ship comes in for a landing. Contact is made and the visual of its captain shocks Verdeschi—it is his older brother, Guido.
The staff gathers at the travel-tube reception area to greet their rescuers. In addition to the Verdeschi brothers' reunion, Helena embraces Doctor Shaw, her mentor from medical school. Carter welcomes his best mate, astronaut Ken Burdett, while Sandra Benes rushes into the arms of her fiancé, pilot Peter Rockwell. Ehrlich trades golf handicaps with his cousin Henry and Bartlett greets his friendly rival, physicist Professor Hunter. As Diana Morris, an old flame of Koenig's (and notorious man-eater) searches the crowd for the Commander, Carter tries to chat up Louisa, who turns out to be Doctor Ben Vincent's fiancée.
The guests put off the Alphans' questions until later and a proper party ensues. Verdeschi introduces Maya to Guido and the brothers engage in a game of verbal one-upmanship. Englishman Bartlett swells with pride when he hears the transluminal drive was developed by researchers at Cambridge—but is disappointed when Hunter the American smugly reveals it was Cambridge, Massachusetts. A development of the ion rocket, it can make loops in the space-time continuum; travel time back to Earth, subjectively, is a matter of hours. Guido tells them the Superswift is the advance party; Earth will dispatch proper transport ships to evacuate Moonbase Alpha. At this, Maya withdraws, uncomfortable at the thought of becoming an outsider among Earth's billions.
Hunter and Rockwell slip away from the party and proceed to the Medical Section. They encounter an orderly, Sandstrom, who suddenly stops in his tracks as if mesmerised by their stares. The man proceeds to the care unit and approaches the brain complex. As he alters its settings, the unconscious Koenig squirms in discomfort.
At the party, Helena is trapped into a conversation with the haughty Diana, who opens with a series of catty remarks. When the topic turns to the doctor's relationship with Koenig, Helena gives as good as she gets. Across the room, Vincent is showing Louisa one of the remote medical relays which allow them to monitor patients from anywhere on the base. He observes Koenig's obvious distress, but Louisa stares into his eyes and he, in a trance-like state, switches off the monitor. When the girl is swept away by Carter, Vincent's head clears. Reactivating the screen, he observes Koenig's condition and dashes from the room.
Koenig is convulsing by the time Vincent reaches Medical. He throws the orderly away from the brain complex, but the man attacks him with manic intensity. A brawl ensues, and the madman is rendered unconscious with a choke-hold. Helena enters in time to sedate the murderous Sandstrom as he recovers and lunges for the helpless patient. The two doctors examine Koenig; fortunately, the treatment cycle had ended and there is no sign of complications. After a few moments, Koenig regains consciousness. Remembering nothing of his wild ride, he questions the cause of the crash and is dismayed to learn it was pilot error.
As he frets over his bout of irrational behaviour, Helena consoles him by relating the arrival of the Superswift. Koenig first thinks she is joking, especially at the mention of the space programme's resident barracuda, Diana Morris. He soon realises she is serious and jumps up and kisses her in celebration. They stroll arm in arm to join the party, but when Koenig catches sight of the Earth visitors, he reacts violently, perceiving them as grotesque alien monsters. The men try to restrain him, but he resists and Helena is forced to stun him into submission.
Koenig is taken back to the care unit and placed in restraints. He is agitated, muttering, trying to formulate a plan of action even though unconscious. When he comes to, Helena and Verdeschi try to convince him that what he sees as aliens are really people from Earth. Helena has brought Shaw to consult on the case, but as he approaches, Koenig psychotically screams for them to get 'that thing' away from him. The more Koenig pleads to be released, the more agitated he becomes and Helena sedates him. Verdeschi wonders if the Ellendorf apparatus could have aggravated his earlier mental instability.
Shaw returns to Command Centre and upbraids Louisa; if she had not lost control of Vincent, Koenig would be dead. She asks why fear him when they could just arrange to control him. Shaw states that, besides Koenig being a strong leader, something has interfered with their ability to control his mind. He is then summoned to the records office. Guido stands outside a glass partition, watching records clerk Clive Kander; the man's mind is resisting him and he requires help. Kander is reviewing recordings of recent events, and when he plays the video of the Earth party's arrival, he reacts with horror...then slips under the mental control of the 'Earth men'. Mesmerised, he locks and jams the door, turns the emergency oxygen supply full on, and wrecks the video player.
A passing woman also witnesses this act and calls in the emergency. By the time the senior staff are present, Kander is a raving lunatic and tearing the room apart. The rescue team can neither unjam the door nor blast it open with lasers without igniting the oxygen. Maya transforms into a beetle, crawls through the air-vent, and enters the room. Reverting to normal, the metamorph tries to open the lock, but is attacked by Kander. In self-defence, she changes into an alien animal. Kander recoils and smashes into the commlock panel, shorting it out; the sparks ignite the oxygen and the room is engulfed in flame. Maya escapes unharmed, but Kander is set ablaze and dies from the burns...the secret of what he saw dying with him.
As emergency teams fight the fire, Shaw and Guido take Verdeschi aside. The matter of their return home must be addressed; the Moon's errant trajectory will soon carry them out of range. A three-man pilot ship (also equipped with the light-speed drive) will fly back to Earth and they ask Verdeschi to select an Alphan crew. He draws names at random, but under Guido's influence, he believes Carter, Bartlett and Ehrlich's are those chosen. As preparations for the flight proceed, Koenig comes around. At first, he appears rational to Helena and Verdeschi. He then tries to convince them their Earth friends are hostile, hideous aliens. He fails, every suspicion or inconsistency he raises being blithely dismissed, and he becomes agitated. The announcement of the pilot ship's readiness to launch leads to a more aggressive outburst, and Helena once again sedates him.
The three ecstatic selectees depart and, within a few hours, are in sight of Earth. All Alpha celebrates the end of their incarceration on the runaway Moon. Verdeschi and Maya take a recording of the pilot ship's broadcasts to convince Koenig of the true situation, but are ambushed by Sandstrom (who had been freed earlier by Professor Hunter). As Verdeschi goes down, Maya transforms into a Kendo warrior and beats the madman into submission with a bamboo shinai.
During this, the being known as 'Doctor Shaw' enters the care unit. Helena has asked him to examine the unconscious Koenig and see what he can make of his perplexing condition. As he approaches, Koenig awakens and, as before, sees the alien in its true form squelching across the floor—a seven-foot-tall, slime-covered, pulsating heap of protoplasm resembling a Portuguese man o' war standing erect on its tentacles. He struggles against the restraints as the alien flops across his body and begins to smother the life out of him...
The score was re-edited from previous Space: 1999 incidental music tracks composed for the second series by Derek Wadsworth and draws primarily from the scores of 'The Metamorph' and 'Space Warp'.
The episode was adapted in the fourth Year Two Space: 1999 novel The Psychomorph by Michael Butterworth, published in 1977. The author would make the jelly aliens the psychically-synthesised minions of a massive non-corporeal space amoeba (which was also the unseen antagonist in the previous segment 'The Lambda Factor'). The sentient amoeba was dying and required a massive influx of radiation to rejuvenate itself. It would manipulate the Alphans with the lambda-wave effect to provide the explosion that would be its salvation.[7]
| Last produced: "A Matter of Balance" |
List of Space: 1999 episodes | Next produced: "The Bringers of Wonder, Part Two" |
| Last transmitted: "The Lambda Factor" |
Next transmitted: "The Bringers of Wonder, Part Two" |
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